How Bacharach's songs inspired Myers speaks volumes as to the global impact of his work.Ĭanadian-born Myers was driving home from ice hockey practice and heard Bacharach's composition on Springfield's 1967 single "The Look of Love," from the soundtrack of the Peter Sellers-starring Bond spoof "Casino Royale." The composer made a cameo appearance in all three To wit, the many films in which Bacharach's sound and style were associated included Mike Myers' turn as James Bond-spoofing global spy Austin Powers in a trio of movies released between 1997-2002. 1 albums, which spurred unprecedented stardom. It expanded a run of 11 Top 10 domestic and international singles over her first four No. The track was a global crossover Top 10 hit. "Aretha had only to open her mouth in a recording studio and the song became hers," Serene Dominic wrote in 2002's "Burt Bacharach: Song By Song." While Franklin, her background singers and Bacharach were working on Franklin's 1968 album "Aretha Now," the "Queen of Soul" began playing around with her vocal over the bones of Bacharach's accompaniment during a break in recording. So we brought what we had to the table and it worked."Īs for Franklin, her 1968 recording of Bacharach's "I Say a Little Prayer" followed Warwick's original release of the song as a Top 5 soul single in 1967. "Hal David? I don't consider him a lyricist. "Burt's musicianship is - I don't think anybody can surpass it," Warwick said in a 2022 Vulture interview. Notably, these female artists were classically trained and skilled in traditions erring far from more rock- and soul-aimed movements in modern music of the mid-20th century. I'm very appreciative of what you do down there."īacharach's work helped make beloved superstars of Karen Carpenter, Aretha Franklin, Dusty Springfield and Warwick. That's the way it kind of used to be in the Brill Building years ago. "It's the one place remaining where there's a concentration of writers, an interchange of people trying to get (songs written). His thoughts comparing his work in Manhattan's legendary Brill Building - home to Carole King, Phil Spector, and the legendary team of Jerry Leiber and Mike Stoller, among many others - to the work that Nashville greats achieve on Music Row speak to his reverence for the craft that his work elevated. "But I was thrilled because it had been a long time working in the Brill Building with different writers." It was one of the first songs he co-wrote with David. 1 hit came from country music: "The Story of My Life," cut by Marty Robbins in 1957. In a 2016 Tennessean interview, he recalled that his first No. In both cases, the answer is an unquestionable yes.īacharach's work modernized the global standard of American-made pop using syncopation, key changes and climaxes to develop a connection tying classical and jazz music to Latin polyrhythms and rhythm and blues.Įven deeper, his work - because of its inherent musicality - created hits in many genres. Billington - then the Librarian of Congress - compared their compositions to the work of American Songbook-era pop standard setters George and Ira Gershwin.Īre the opening bars of the Carpenters' "Close To You" comparable to "Rhapsody In Blue?" Are Dionne Warwick and friends singing the melody of "That's What Friends Are For" as memorable as "Summetime" from "Porgy and Bess?" Bacharach and David received the Library of Congress' Gershwin Prize for Popular Song in 2011.
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